Bio
Preparation and adaptability are key elements in my workflow. Before stepping onto a set, I prepare myself with a well-thought-out plan but leave room for inspiration to strike on the day. The energy of the set, the nuances of the production design, wardrobe, and lighting all contribute to the final shot. Where preparation meets spontaneity is where my creative process thrives. I draw inspiration from the landscape photography of Todd Hido, the portraits of community by Dawoud Bey, and the abstraction in Rinko Kawauchi’s work. These influences guide my approach to cinematography, where careful planning is complemented by the inspiration drawn from the immediate environment. In the film world, my cinematographic inspirations are from the subtleties of films like "Sicario," "Prisoners," and "Arrival." These films have influenced my approach to creating emotionally resonant visual narratives through their use of visual tension. The works of Denis Villeneuve, along with the cinematography of Bradford Young, Roger Deakins, and Greig Fraser, currently serve as guiding lights in my career.
My interest in cinematography stems from creative problem-solving, decision-making, and collaboration. The social aspect of working with like-minded individuals and meeting new people is an important part of my creative process. Currently, my approach is less about imposing a particular aesthetic and more about embracing the spontaneity of natural and available light. This preference is partly born out of necessity, as most of my projects are limited in budget. However, this limitation has become an important part of my creative identity, teaching me to harness the beauty of ambient light and transform it into a powerful narrative tool.